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31.8.09
35 years later also RNI and NSGDX remembered
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30.8.09
Simon Dee, the first voice on Caroline, died on Sunday
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"It happened very, very quickly," she told BBC News. "He was dearly loved by his family."
Friends previously told how he was admitted to hospital near his home in Winchester, Hants, in recent weeks.
His condition deteriorated and it was understood that his cancer is so advanced that it is beyond treatment.
Dee, real name Cyril Nicholas Henty-Dodd, moved to Winchester 15 years ago and lived in a tiny, one bedroom flat.
At the height of his fame he compered Miss World, appeared on Juke Box Jury and Top of the Pops helped launch pirate pop station Radio Caroline.
Due to a disagreement between Dee and BBC bosses over Dee's huge salary demands, his contract was reviewed in 1969 and he left the channel.
He was offered £100,000 for a two-year contract with the independent channel LWT and commenced a series with them in January 1970.
But Dee fell out with the LWT management as well and they terminated his contract after only a few months. Dee lived in a tiny flat in Hyde, Winchester, and cut an anonymous figure, far removed from the star who was mobbed on the streets.
Earlier this summer, in his first interview for 20 years, he said: "Sadly, honesty and intelligence have vanished from national TV.
"Truth, interesting stimulating conversation, and, above all, real 'showbusiness' has been replaced by juvenile 'reality' shows and endless audition programmes.
"We need to remember what original entertainers and entertainment is all about.
"I've no regrets. If you change your past, you change your present. Bitterness destroys, but laughter lifts you.
"It's all been enlightening and as a girlfriend said the other day, 'you've still got your hair.'"
Dee was treated at the Royal Hampshire County Hospital in Winchester.
Former Radio Caroline pioneer Simon Dee very ill
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He also had several court appearances and, in 1974, served 28 days in Pentonville prison for non-payment of rates on his former Chelsea home. Every time he left his cell, inmates shouted: “It’s S-i-i-i-i-i-mon Dee!”. He moved to a tiny one-bedroom flat at Hyde in Winchester 15 years ago.
Tom Romita, a friend who runs a newsagents and cafe in the city, said: “Simon is terminally ill. He’s got days left. He has got bone cancer and it is well advanced.
“It’s very sad, he has been a very good customer here over the years and he’s a very likeable chap.
Another friend, John Harding, said: “Simon is a much-loved character.
“There’s a network of people visiting him and he is being very brave.”
Roger Backhouse QC, who is close to the fallen star, said: “Simon is being amazingly strong. His mind is not gone and he is still fun to be with.
“He is bearing himself in a very composed and dignified manner.
“He’s never ever shown any rancour or bitterness about his fall from grace. He’s an old-fashioned gent who never has a word of regret or sourness.”
Earlier this summer, in his first interview for 20 years, Dee said: “Sadly, honesty and intelligence have vanished from national TV.”
He insisted he had no regrets. “If you change your past, you change your present. It’s all been enlightening and as a girlfriend said the other day, ‘You’ve still got your hair’.”
28.8.09
Caroline returns to its AM roots
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20.8.09
Scandinavian offshore radio pioneers held reunion in Copenhagen
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Kenneth Andersson, Skånes Radio Mercur (tekniker)
Klas Wik, Radio Syd (tekniker)
Kurt Nilsson, Radio Syd (tekniker)
Seve Ungermark. Radio Nord (nyhedsredaktør)
Ove Sjöström, Radio Nord (chefstekniker)
Preben Ploug, Radio Mercur (tekniker)
Gert Tejlmann, Radio Mercur (tekniker)
Birger Svan, Radio Mercur (tekniker)
Lise Helmgaard (Lise Svan) Radio Mercur (diskoteket)
Lise Reinau, Radio Mercur (programvært)
John Steenberg, Radio Mercur (programvært)
Jerry Katz, Radio Mercur (tekniker)
It was a day full of memories from way back when. Even the original Panamian flag used on board the Cheeta put in an appearance.
RADIOPIONÆRER SAMLES I KØBENHAVN
For 50 år siden betragtedes de som pirater af etablissementet, og de danske og
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Den første skandinaviske offshore-station hed Radio Mercur, og begyndte at sende fra det lille skib Cheeta i Øresund i juni 1958. Programmerne fik en enorm gennemslagskraft med sit store udvalg af populær-musik og underholdning som en velkommen kontrast til de kulturelle og dannede programmer, som var hovedlinien i Danmarks Radio’s programflade. Radio Mercur blev model for flere andre lignende stationer, og der var fire stationer i luften fra fartöjer ud for den skandinaviske kyst: Radio Mercur, DCR (Danmarks Comercielle Radio), Radio Syd og Radio Nord. Mens de første tre sendte på FM-båndet, og fortrinsvis dækkede området rundt om Øresund, så satsede Radio Nord på mellembølge og kunne derfor høres over store
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Selvom mange af disse pionærer nu er borte, så findes der stadig mange i live, og det er første gang at repræsentanter for samtlige skandinaviske offshore-stationer træffes på denne måde. Nogle af deltagerne:
Kenneth Andersson, Skånes Radio Mercur (tekniker)Klas Wik, Radio Syd (tekniker)Kurt Nilsson, Radio Syd (tekniker)Seve Ungermark. Radio Nord (nyhedsredaktør)Ove Sjöström, Radio Nord (chefstekniker)Preben Ploug, Radio Mercur (tekniker)Gert Tejlmann, Radio Mercur (tekniker)Birger Svan, Radio Mercur (tekniker)Lise Helmgaard (Lise Svan) Radio Mercur (diskoteket)Lise Reinau, Radio Mercur (programvært)John Steenberg, Radio Mercur (programvært)Jerry Katz, Radio Mercur (tekniker).
Bag dette arrangement står Pia-Charlotte Schultz, som voksede op med Radio Mercur i København. Hun er initiativtager til et projekt som stiler efter at dokumentere denne del af skandinavisk mediehistorie, og har ansvar for at materiale i form af tekst, billed, lyd og film bevares for eftertiden. Dette skal ske indenfor rammen af en idealistisk forening, som netop er grundlagt med domicil i København. Dette møde er et led i dette dokumentationsarbejde selvom hovedårsagen er, at de gamle radiopirater på en dag skal få muligheden for at træffes og tale om gamle minder.
Where were you on August 31st 1974, the Day the Music Died?
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Waar was jij 35 jaar geleden op 31 augustus 1974? De dag dat de muziek van de zeezenders doodging…
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18.8.09
Radio Days: DJ Reunion Marks End of Caroline Exhibition
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13.8.09
Het legendarische REM-eiland gaat even terug naar zee. REM Island to be turned into restaurant
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25.7.09
Radio Sutch's Colin Dale has his own website
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5.7.09
In an interview with Corey Deitz of About.com original Radio Caroline DJ Takes Issue with Movie's Portrayal of Pirate Radio
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Corey: You worked on Radio Caroline during 1966 and 1967 when British offshore radio was at the height of its popularity. In a recent review of “The Boat that Rocked”, you took issue with how the movie portrayed this famous pirate broadcasting operation. Can you reiterate some of your pet peeves on this?
Ian: While I’m able to accept a certain amount of poetic licence in a movie based on a true story, “The Boat That Rocked” reflected very little reality in portraying the way things really were on board the “pirate” radio ships. Which is a shame because there were enough funny plus dramatic moments in those years to make a realistic but entertaining story. For example...on the first station I was on we had a boarding party take over the station, we were held hostage for a week and the owner was shot dead. (ashore). As I said in a movie review I wrote after seeing it: “It’s great that a whole generation of British kids will now be aware that it was us broadcasters who were directly responsible for forcing later Governments to legalise land-based commercial radio in the UK. However I squirmed for the over-long 135 minutes the movie runs watching misrepresentation after misrepresentation of what really went on flash up on the screen.”
For instance, no visitors were ever allowed on- for insurance and safety reasons. The idea you could invite 200 fans and have them running all over the ship is ridiculous when you have generators running and transmitters putting out 50,000 watts. Which makes the scene where the two guys compete to climb the mast even more ridiculous. The few visitors who did come on board were people like pop stars and entertainers, for on-air interviews, and they had to have special permission from head office in London. The movie makes no reference to the station even having a head office, which was actually a salubrious building just off Park Lane, but gives the impression the whole operation was totally run from the ship. It also makes it appear there was only one radio ship, which they call Radio Rock, with one DJ telling his listeners he has 25 million people listening to him. In fact there were at least twelve stations that I can think of broadcasting around the coastline, with about six positioned off London, all with a combined audience of 25 million.. And the movie really totally misses the point when the police attempt to raid the ship to close it down. The vessel was in international waters and outside the jurisdiction of any British authority. A raid like that would have been real piracy by the police.
Corey: Originally Australian, you’ve had a very successful career on Australian radio. What is the state of AM and FM in Australia? How has Internet radio affected traditional radio? Is there one or two things are you believe separates Australian commercial radio from the United States or even England?
Ian: Some stations are going through a tough financial time but, surprisingly, it’s mostly the top
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Corey: You operate the Ian MacRae Radio School and train future deejays. Is there hope for future deejays? Seems like we’re a dying breed.
Ian: I think deejays as we knew them probably are a dying breed. Presenters now have to be more rounded and able to bring more things to the table (or to the mic) than just being able to announce songs and do liners. Which is why we teach more than just presentation at the school. Our main goal is to bring out the student’s personalities and make them entertainers.
Corey: What’s the worst thing that ever happened to you while on-the-air?
Ian: There’s been all the usual things we all go through. Swearing while recording calls that were going to air at the same time. I once had a bout of nose bleeds that lasted for a week and seemed to come on the instant I put the mic on every time. And that was before the days of computer play-out systems which you can just switch to automation.
Corey: Where do you think radio is headed?
Ian: I think a transmission tower will eventually become the least important device for a radio station to make itself heard. It’s all heading toward the internet, phones, MP3 players, Wi-Fi etc. As evidence of this many program directors are now being referred to as “Content Producers”.
Corey: If you could institute one law or rule about the radio business, what would you insist on?
Ian: Set a maximum number of hours any station is allowed to take network programs.
(You can visit the Ian MacRae Radio School website at http://radio.about.com/od/britishradiohistory/a/www.radioschool.biz. There is also a new site at http://radio.about.com/od/britishradiohistory/a/www.radioschoolgraduates.com.)
14.6.09
Australians Marion Adamson and Steve Ladd remember their offshore days
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“Those were wild, fun times,” Mrs Adamson told the Milton Ulladulla Times in Australia.
“We were free, we were rebellious, it was the ‘60s and anything was possible.”
A radio music programmer in Sydney, Marion travelled to London at the age of 25 and through her connections ended up on board the ‘Mi Amigo’ the very first (1) Radio Caroline ship that operated in international waters off the coast of Essex.
The group of young rebel rockers began broadcasting on Easter Sunday, 1964.
The station, with its mix of modern music from the likes of the Stones, Beatles and Dusty Springfield and a series of hip programs, became an overnight success with seven million listeners tuning in across the UK in the first week.
“We had no idea there would be such a phenomenal response,” Mrs Adamson said.
“But with no commercial radio permitted in England at the time we broke new ground and had 22 million listeners after the first month.”
Commercial radio was illegal in the BBC-dominated UK, so the offshore radio operators were soon dubbed the radio pirates and developed a cult following that still exists today.
“It was totally illegal and the government did all they could to sabotage us, but we got around that by getting our supplies sent via Spain and being paid through Panama (1).
“It was illegal to supply the ship will food or records or to advertise or provide financial backing to the station and we paid no taxes or royalties to the British Government,” she said.
“Because it was also illegal to board the ship, we would catch a supply boat out into international waters and jump across in the middle of the North Sea.”
“It could be pretty hairy at times, especially during a force eight gale, but it was a real adventure,” she said.
The first woman on board, Marion worked on Radio Caroline for two years, travelling back to her base in London every two weeks.
She said the ‘pirates’ received a fabulous response from the public and opened the flood gates for commercial radio and rock music in the UK.
“At the time the BBC was the only radio station and it was very stayed and conventional.
“We were out there, fun and the whole thing rocked - that’s what the people wanted in the ‘60s.
“We changed the future of music in Britain and the world.”
Marion told the Times the Mi Amigo sunk during heavy seas in 1980, but Radio Caroline still operates today – with a licence and on land.
Many of the original Caroliners still keep in contact and share memories of many good times on board in the 1960s when dreams came true.
(1) The passage of time obiously plays trick on the mind. Readers of the paper soon commented: 1) Radio Caroline were not illegal as they operated outside the 3 mile limit in international waters . ( the government did try later to close them down by making it illegal to advertise or work on it but Caroline refused to give in and carried on) 2) The first Caroline ship was not the mi Amigo , but the MV Caroline (aka Frederica) , the Mi Amigo was the 2nd ship when caroline merged with radio Atlanta in 1964 After the mi amigo sank , a new ship the Ross Revenge was used from 1983 - 1991 when draconian laws made it virtually impossible to continue from the sea Today they broadcast from land and from the Ross Revenge, via www.radiocaroline.co.uk , and sky tv chanel 0199
Also Steve Ladd told his story in Australia (Tasmania Examiner):
The radio pirate who became a real Ladd - `Here were these quite outrageous people'
14/06/2009 PIP LEES reports.
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The movie hilariously depicts a generation captivated by rogue DJs, pop music and parties, and Tasmania's Steve Oliver was at the heart of it.
For a period in the '60s and '70s, life was much different for the Tasmanian, working in Britain under the alias Steve Ladd as a radio pirate.
He worked in commercial radio in Australia from the time he was 16 and decided to go to England, where he landed a job at the BBC.
The position was not in broadcasting as he had hoped, but while working in the record library he made contacts and learned a lot about the industry.
"A friend of mine said why not go out to the pirate radio ships because they were looking for disc jockeys, so I packed up and off I went."
The Marine Broadcasting Act was introduced in the UK in 1967 and was designed to increase government control over commercial broadcasting.
One such commercial station was Radio Northsea International (RNI), which operated about 30km off the coast of Brightlingsea, the ship named after the Marine Etc Broadcasting Offences Act, or MEBO II. It was on MEBO II that Mr Oliver became RNI disc jockey Steve Ladd.
"I used a family name which was Ladd rather than Oliver, which was on my passport, because if I used my real name I couldn't go in and out of Britain because you would either be fined or jailed."
During this time there were a number of illegal commercial radio stations operating out of ships off the British coast including Radio Caroline, on which the movie is based.
"It was very much like the movie, in fact I could almost identify with everyone in the movie because the characters were so similar. I actually saw myself as Carl the young bloke who came on - you see the ship from his point of view."
7.6.09
Caroline's Simon Dee, talks publicly for the first time in 20 years
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During the Sixties the trailblazing DJ, who helped launch offshore Radio Caroline in 1964, was the hottest ticket in town. Simon Dee was not his real name however. “When we began Caroline, sitting out there in the middle of the North Sea putting on LP tracks in a force nine was a challenge we overcame – a chap named Henty-Dodd couldn’t exactly introduce The Stones!” he
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6.6.09
Radio Waddenzee afgemeerd in Harlingen
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3.6.09
Former Caroline rigger dies
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26.5.09
Abi Nathan’s Daughter improving after Rowing Accident
Finegold, who remains unconscious and in intensive care, has been visited by several of her friends at the Yarkon Rowing Club, and her rowing coach, Danny Rutenberg, has remained at her bedside together with Jasmine's mother, Elizabeth. Finegold is the daughter of Abie Natan, the peace activist and founder of the Voice of Peace offshore radio station, which broadcast to the region from a boat in the Mediterranean from 1973 to 1993.
Natan, who died last year, refused at first to recognize Finegold as his daughter, until Elizabeth, who had previously been Natan's secretary aboard the Voice of Peace, launched legal action to force him to recognize her as his daughter in 1989. As doctors continue to work to bring about further improvement in Finegold's condition, her friends at the Yarkon Rowing Club are asking themselves how the near-tragic accident took place.
"We don't know why this accident happened," Yarkon Rowing Club member and friend of Finegold, Tal Shalif, told The Jerusalem Post. Shalif said the kind of boat Finegold was in had a pair of shoes attached to the vessel. Academic rowers remove their own shoes and place their feet in the boat's shoes before setting off, he said. A single velcro strap stretched loosely across both shoes secures the rower's feet to the boat, Shalif added. "The strap is not tight. There shouldn't be any problems for rowers to extricate themselves," he said. "If the rower has flipped over and begins struggling, a pull of the feet should release the shoes."
Yarkon police have launched an investigation into the accident. Rowing Club members are also asking, however, why a number of bystanders failed to dive in to rescue Finegold after her boat flipped. Only the intervention of 62-year-old jogger Avi Toivin, who arrived on the scene and dived into the water of the Yarkon - a river many consider to be highly polluted and toxic - saved Finegold's life, dragging her and the boat to shore. "I don't know why people didn't dive in sooner. It could be a lack of initiative. What makes me angry is the thought that people didn't help because they were scared of pollution," Shalif said. "These fears are based on ignorance. The Maccabia disaster happened 15 years ago.Today, there are birds and fish in the river. The water is not as polluted as people think," he said. "I'm also angry at the authorities who allow people to remain ignorant," he added. "If people wouldn't be so scared, maybe they would have jumped in."
22.5.09
Radio Caroline ready to rock with Scottish cable company
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18.5.09
Jinglepakketten Veronica en 10 Gold op cd
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PAMS
Jinglebedrijf (1951-1977) was een begrip bij radiomakers in de hele wereld. Het was
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Jaren werk
Op de cd ‘PAMS in Holland’ staan jingles van de NCRV en de TROS. Verder staan op het schijfje jingles die gemaakt zijn voor het Radio Veronica uit 1994 en Cable One, en alle jingles die het Nederlandse bedrijf Top Format in Haarlem in 1995 en 1996 geheel in PAMS-stijl produceerde voor Radio 10 Gold. Het cd-tekstboekje is in het Engels en bevat unieke foto’s van de mastertapes, zangsessies en het befaamde PAMS-studiogebouw aan 4141 Office Parkway in Dallas. Het kostte het Genootschap jaren om alle materiaal bij elkaar te krijgen en de rechten te krijgen. De cd ‘PAMS in Holland’ ligt niet in de winkel, maar is uitsluitend te koop via Jingleweb.nl, de website het Genootschap radiojingles en -tunes.
Zendschip Radio Waddenzee gaat op zee uitzenden
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5.5.09
Weymouth Rowing Club in ‘Radio Caroline’ movie
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2.5.09
Oranje lintje voor voormalig Veronica en Noordzee dj
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3.4.09
Schoolchildren at Radio Caroline exhibition
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1.4.09
Pirate BBC Essex
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BBC Essex weer op de piratentoer
De Engelse regionale omroep BBC Essex herdenkt volgende week andermaal de
zeezenders met een eigen ‘piratenzender’. Onder de naam ‘Pirate BBC Essex’ zal de omroep van vrijdag 10 tot maandag 13 april op antenne gaan vanaf het voormalig lichtschip LV18 in de haven van Harwich. Een aantal deejays van de toenmalige zeezenders zullen op het station te horen zijn. Het gaat ondermeer om Dave Cash (Radio London), Tom Edwards (Radio City en Radio Caroline), Keith Skues (Radio Caroline) en huidig BBC Radio 2 deejay Johnnie Walker (Swinging Radio England en Radio Caroline). Dit jaar zal ook Tony Blackburn (Radio Caroline en Radio London) z’n duit in het zakje doen. Het is namelijk precies 45 jaar geleden dat populaire zeezenders als Radio Caroline en Radio London van start gingen. Beide stations hebben een belangrijke invloed gehad op hoe de Engelse radio vandaag de dag klinkt. De gelegenheidspiraat zal gebruik maken van de middengolffrequenties van het lokale radiostation BBC Essex (729, 765 and 1530 AM). De reguliere uitzendingen van BBC Essex zullen dan alleen via FM en DAB te ontvangen zijn. En om luisteraars over de hele wereld te kunnen bereiken zal. Pirate BBC Essex ook via het internet te beluisteren zijn. In 2007 herdacht Pirate BBC Essex op dezelfde manier ook reeds het van kracht worden van de ‘anti-piratenwet’, die de zeezenders verbood. Het lichtschip LV18 werd eerder ook reeds ingezet voor herdenkingsuitzendingen onder de naam Radio North Sea International.
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30.3.09
20 jaar sedert het einde van de ‘Magda Maria’ van Paradijs
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Ter hoogte van Katwijk had men inmiddels op de Magda Maria de lassen van het
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Daarna spande de eigenaar van het zendschip, de Panamese vennootschap Panlieve sa, bij monde van Meester Maes uit St Niklaas een geding in tegen het rijk der Nederlanden. De zaak werd jaren later beslecht in het voordeel van de zeezender en de geldschieters kregen het schip terug. Maar de tijden waren veranderd en de zeezenders hadden hun rol vervuld doch economisch was er voor hen geen plaats meer. De Magda Maria stierf een roemloos einde toen ze op een sloperswerf in Brugge werd afgebroken tot schroot.
29.3.09
Filmkomedie rond de Zeezenders
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Tony Blackburn about the Boat that Rocked
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Motie voor Veronica's Norderney in Den Haag
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Terug naar de kust?
De gemeenteraad van Den Haag heeft donderdagavond een motie van de Haagse Stadspartij aangenomen om te kijken of het zendschip Norderney van Radio Veronica naar Scheveningen kan komen. Het legendarische schip ligt momenteel in de haven van Antwerpen. De haven van Scheveningen speelde een belangrijke rol bij de uitzendingen van de zeezender Veronica, die mede aan de wieg stond van de vrije radio zoals we die nu in Europa kennen. Er bestaan initiatieven om het schip naar Nederland te halen. Met de motie wordt het college van b&w opgeroepen om onderzoek te doen naar een ligplaats voor het schip in de Scheveningse haven.
New book on Radio Nord
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Tom Edwards ex-Radio City
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New book: Shiprocked
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